BMLmusic.com

The resource for all things Brett Marshall Lefferts: music, images, downloads, and more.  Select a band from the list below for further details.
'dystopia' Print E-mail
Tuesday, 06 June 2006 09:00
All songs written and performed by BML except:
"stircrazy" - solo guitar by Marshall Lefferts - rhythm guitar by Eli Lefferts
"introvert" - guitars by Michael James
"the truth" - written by Othoniel Joseph
Album art by Onion City Studios. Click on the images to view full size:



Album review by A.J. Jackson:
Bringing us back into the rich electronic soundscape he calls ’funkfoltronica’, BML’s dystopia is a fountain of emotion littered with precious stones instead of pennies.  This new work is his most autobiographical to date and is a solid step forward for this award-winning artist.  While the concept of a dystopia (literally ‘anti-utopia’) is harsh and brutal, BML has managed to expose us to his vision of a life gone awry without sending us screaming for the mercy the record’s protagonist craves.  dystopia is a haunting soundtrack for a journey to a safe place when there is no safe place to go.

The album begins much like the opening credits of a film, relaxing and disarming us with a rich and welcoming environment.  It goes on to paint a picture of a life spent as a cog in the machine while the world passes by.  Filling with rage and horror at the way things have turned out, the music seeks out the balance necessary to begin shaping one’s life into a worthwhile existence.  It closes by reassuring us of life’s many facets, from beautiful to ugly to happy to sad and all things between.

While the tracks can hold their own without thinking of this as a ‘concept album’ — a term that fills the mind with unhealthy connotations of Rush and nerds everywhere — dystopia works best as a whole, telling its story to the listener without pause.  If one were to choose a single or two from the record, both the title track and ‘are you sure?’ are hard to beat for imagery and composition.  ‘model citizen’ is complex, driven and intense, while ‘versificator’ packs a melancholy groove that makes you want to break out the light sticks and dance — proving the talent of BML in creating versatile and enjoyable songs.

Knowing some of the artist’s challenges in bringing this very personal record to life and his ever-growing catalog of as-yet unreleased material, this reviewer is looking forward to future offerings from BML as his talent continues to mature.

 
'Just Be' Print E-mail
Friday, 29 November 2002 10:00
All songs written and performed by BML except:
Seth Lefferts - bass on "Celtic Knot," "The Pointed Man," and "Construction of Symmetry"
Eli Lefferts - bass on "Threshold of a Dream"
Album review by Scott A. Vignola:
Brett has finished his latest infusion of electronic and acoustic to create something unlike I've ever heard before. It's Sundog, his first album, taken to a whole new level. Brett's new work, Just Be, is the product of two years of diligence and ingenuity, and in its own rite, is a masterpiece.

Just Be is unique. As I listen to it while writing this, I am carried along it's pleasing harmonies; I am calmed and yet, encouraged. Brett's music is the union of wonder and majesty. It resonates within long after I've turned it off and wandered away. It has a way of returning to my mind, not in that annoying "GET THE BLAHG OUT OF MY HEAD!!" way, but in that reminding, "Oh yeah, Life is actually pretty cool" way.

For me, Brett's music is a foundation of good, pure work. He's managed to create something that is separate from mainstream "churned-out-multi-million-dollar-deal" music. In that way, it has a certain innocence and simplicity. Yet, there is nothing innocent or simple about it. It is a work which reflects both thought and emotion.